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As the author of more than a dozen dating, relationship and romance urban-fiction novels and self-help references, Midnite Love has become one of the nation's bestselling go-to gurus for sensual and saucy tell-it-like-is-is tomes. Throughout her narratives, Midnite Love addresses a vast array of relationship topics, from increasing levels of intimacy with your mate and maintaining a healthy, lov As the author of more than a dozen dating, relationship and romance urban-fiction novels and self-help references, Midnite Love has become one of the nation's bestselling go-to gurus for sensual and saucy tell-it-like-is-is tomes.

Throughout her narratives, Midnite Love addresses a vast array of relationship topics, from increasing levels of intimacy with your mate and maintaining a healthy, loving relationship to learning how to fight fair, as well as exploring ways to help your partner let down walls and open himself to new levels of arousal and intimacy. See also : Detention: one of 's hidden horror gems?

New Zealand made two straight home runs in with Housebound and What We Do In The Shadows , the mockumentary establishing what vampires might get up to if they had to share a house in modern and rather mundane circumstances — but what else could be a bigger treat than a horror-comedy from Taika Waititi Thor: Ragnarok and Flight Of The Conchords ' Jemaine Clement? Jemaine says he grew up living for this genre and you can feel it throughout, with much irreverence clear from the opening scene.

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Rhys Darby nearly steals the whole show with his turn as the leader of an antagonistic and hapless band of local werewolves. The film has grown from basically nothing into a cult classic, so if you haven't gotten around to it yet, now's as good a time as any. Blumhouse took a swing at a horror-themed Groundhog Day for this low budget gamble, and it paid off. Jessica Rothe stars as mildly unpleasant sorority girl Tree, who meets her maker in the form of a masked killer. Plot sound a little too familiar? Wait until you've seen it 30 times in a row, as Tree is killed again and again, until she can stop her killer from winning, and maybe wake up to live a different day.

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The first film keeps the location small, as a group of skiers head off to the mountains to hang out and catch up while surfing some serious white stuff. The second film then starts off where the first left off, with survivor Martin now sporting a transplanted and increasingly violent Nazi arm. Tropes are all but destroyed, gallons of blood are spilled and the laughs are bigger than ever. At once a love letter and a middle finger to the genre, it ends with a giant 'fuck you' which divided audiences right down the middle. Personally we loved it.

The fact that Cabin sat on a shelf for years before it got released is still a terrible shame. Watch Zombieland on Now TV. A ton of people hated This Is The End and we absolutely understand why. Any film where people scream as they kick around a decapitated head like a football has gotta be a default horror-com for the collection.

Chris Washington Daniel Kaluuya is nervous about meeting his white girlfriend's parents when they take a trip to their wealthy estate, but he has every reason to be. No spoilers here, just watch it and see what all the fuss is about.

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You're likely to be glad you did. Two girls are on a night out. One is reluctant, one is eager. Jennifer — the eager one — is suddenly kidnapped by an emo band and sacrificed to the Devil, but she comes back possessed by a demon. As her movie star good looks start to crumble, she realises she must feast on the blood of men to stay pretty. The film is well directed and has a fantastic colour palette, and the relationship between Jennifer and her best friend, played by Amanda Seyfried, seems to genuinely go through the wringer while maintaining its heart and confusing sexual undertones.


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This film is so much better and funnier than it has any right to be and nothing proves that more than its woeful sequel, where all the bad storytelling and directing choices were made. French director Alexandre Aja has terrific fun with a higher budget and here we all get to enjoy politically incorrect shenanigans virtually guilt-free.

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The film has its problems: its vision way outstrips its budget and sometimes the cracks start to show, never more than in the final act where the CG gets a bit ropey and the bizarre plot begins to unravel. While Death Proof looked great, it was kind of underwhelming. Rodriguez is the one who really stepped on the gas in this double bill and it shows in every scene, resulting in a truly exceptional tribute to the genre while simultaneously carving out its only unique place in our hearts. See also: Ben Wheatley interview, talking about making Sightseers. And an interview with the brilliant Alice Lowe too.

The low-budget hijinks are carried along by such a wave of good will and obvious joy throughout that it would be great to see him whip up even more batches of bloody cookies for us. Until then, this film remains a gory prom queen frozen in time for us all to throw glitter at and clap encouragingly.